The new ideals of
humanism, although more secular in some aspects, developed against a Christian
backdrop, especially in the Northern Renaissance. Much, if not most, of the new
art was commissioned by or in dedication to the Church. However, the
Renaissance had a profound effect on contemporary theology, particularly in the
way people perceived the relationship between man and God. Many of the period's
foremost theologians were followers of the humanist method, including Erasmus, Zwingli,
Thomas More, Martin Luther, and John Calvin.
The Renaissance
began in times of religious turmoil. The late Middle Ages saw a period of political
intrigue surrounding the Papacy, culminating in the Western Schism, in which
three men simultaneously claimed to be true Bishop of Rome. While the schism
was resolved by the Council of Constance (1414), the 15th century saw a
resulting reform movement known as Conciliarism, which sought to limit the
pope's power. Although the papacy eventually emerged supreme in ecclesiastical
matters by the Fifth Council of the Lateran (1511), it was dogged by continued
accusations of corruption, most famously in the person of Pope Alexander VI,
who was accused variously of simony, nepotism and fathering four illegitimate
children whilst Pope, whom he married off to gain more power.
Churchmen such as
Erasmus and Luther proposed reform to the Church, often based on humanist textual
criticism of the New Testament. It was Luther who in October 1517 published the
95 Theses, challenging papal authority and criticizing its perceived
corruption, particularly with regard to its sale of indulgences. The 95 Theses
led to the Reformation, a break with the Roman Catholic Church that previously
claimed hegemony in Western Europe . Humanism
and the Renaissance therefore played a direct role in sparking the Reformation,
as well as in many other contemporaneous religious debates and conflicts.
In an era
following the sack of Rome in 1527 and prevalent with uncertainties in the
Catholic Church following the Protestant Reformation, Pope Paul III came to the
papal throne (1534–1549), to whom Nicolaus Copernicus dedicated De revolutionibus orbium coelestium
(On the Revolutions of the Celestial Spheres) and who became the grandfather of
Alessandro Farnese (cardinal), who had paintings by Titian, Michelangelo, and Raphael,
and an important collection of drawings and who commissioned the masterpiece of
Giulio Clovio, arguably the last major illuminated manuscript, the Farnese Hours.
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